The nature of music

Composition explores musical materials, structures and time. Theory and practice inform one another through writing and experimentation, testing models and opening new possibilities for musical form.

Listening is not a passive act but an active and creative operation. It shapes compositional processes, informs technological choices and opens a space of relation between sound, body and environment.

Technology is not an external tool added to music, but a condition that transforms its processes, materials and forms of listening. Electronics, computation and networked systems are approached as compositional environments.

Sound exists in space and through mediation. My research explores the physical, social and cultural dimensions of listening and the material conditions that shape perception, from architectural spaces to digital environments.

Interactive systems open a dialogue between human and non-human agency. I investigate forms of responsiveness, improvisation and shared control, where composition emerges from dynamic relations rather than fixed structures.

Teaching is an integral part of the research process, a space to experiment, share methods and question assumptions. It connects artistic practice, critical thought and technological exploration in academic and independent contexts.